Sunday, December 31, 2017
قرويّو سوريّا والشرق الأدنى (تتمّة)
قرويّو سوريّا والشرق الأدنى
Friday, December 22, 2017
مُصَوَّر سوريّا العصور القديمة والوسطى
Sunday, December 17, 2017
العرب في سوريّا قبل الإسلام
Thursday, December 14, 2017
البلاذري وفتوح البلدان
أصول الدولة الإسلاميّة
Friday, December 1, 2017
Qaṣr al-Ḥayr al-Ġarbī: Internal Façade
Located northeast of Damascus between al-Qaryatayn and Palmyra, this 8th-century C.E. ʾUmayyād desert palace was constructed during the reign of Caliph Hišām ibn ʿAbd al-Malik. It is square-shaped, 70 x 70 meters, and made of two stories with semi-circular towers at the angles and the sides.
The excavation works started in 1936 by the General Directorate of Antiquities and Museums were completed in 1950 and crowned with restoring and reassembling a wing—the most luxurious—that had constituted the central part of the eastern side of the edifice. It includes the façade, the entrance, two apartments, a portico, and a part of the internal courtyard. This complex has found a permanent residence at the National Museum of Damascus since.
Though less elaborate than the external façade, the internal one (attached photo) still represents a milestone in the history of early Arab-Islamic art. Seen is a 16.70 x 2.75 meter wall dominated by six windows of sculpted stucco with figures in relief in-between.
Monday, November 27, 2017
طوشة الباطنيّة
دمشق من أتسز إلى نور الدين
Tell ʾum Ḥōrān
Seen at the center of the first helmet is a Roman warrior surrounded on both sides with an eagle, a symbol of the solar god. Posteriorly on the lateral view are two identical groups representing horses pulling a chariot on their way to heaven. The mask itself is that of a bearded face.
The second helmet has a gorgon occupying its summit. Below is an eagle dominating a sacrificial scene with its stretched wings. The occipital cover features a battle between the Romans and the Parthians. Finally, the artist—a certain Mactorius Barbarus—was kind enough to leave his name inscribed on the right temple.
Sunday, November 26, 2017
تاريخ دمشق ١٠٧٥ - ١١٥٤
وُلِدَ Le Tourneau عام ١٩٠٧ ومات فجأةً إثر تداخلٍ جراحي "روتيني" عام ١٩٧١. اختصّ لوتورنو في الدراسات العربيّة والإسلاميّة مع اهتمام خاصّ بالمغرب وشمال إفريقيا. تزوّج من Jeanne Largarde (١٩٠٩ - ٢٠١١) عام ١٩٣٠، التي عاشت أربعين عاماً بَعْدَهٌ وماتت عن عمر ١٠١ من الأعوام. الصورة الملحقة لجان وروجيه عام ١٩٣٠.
A Mosaic from Philippopolis
Šahbā's golden age is closely associated with the Roman Empire and Emperor Philip the Arab, hence its Classical name: Philippopolis. Gracing the National Museum of Damascus is a giant (337 cm x 276 cm) Šahbā mosaic from the 3rd century C.E. This piece features brightly colored themes and allegories from Greco-Roman mythology. Mortals and divinities are designated by their names. Let's analyze this heavenly beauty in detail:
Occupying the bottom center is a woman personifying Gaia, the Mother Earth Goddess, surrounded by four kids. Identified above her shoulders are Georgia (meaning agriculture) and Triptolemus (inventor of agriculture), familiar figures in Greek fables.
Seen in the bottom right is a bearded man sitting artist-like before a painting. He is none other than Prometheus, about to create the first man out of clay. Right above him is Hermes, the messenger god, who, among other tasks, commutes between the world of the divine and that of the mortals. He is surrounded by three women: the topless one is, of course, Aphrodite, goddess of beauty; another one would be Psyche, symbolizing the soul.
In the bottom left is Aion, god of time, carrying a ring in his right hand. Above and behind him are four winged ladies personifying the Four Seasons.
At the topmost on both sides are four heads emerging from the clouds and representing the Four Winds as follows:
- Boreas: the north wind brings forth the cold winter air.
- Zephyrus: the west wind and harbinger of spring and early summer breezes.
- Notos: south wind announcing storms of late summer and fall.
- Eurus: the southeast wind is not associated with any of the Greek seasons.
Photography: Nicholas Randall.
J. Charbonneaux. Aiōn et Philippe l'Arabe. Mélanges de l'école française de Rome. Année 1960 (72) pp. 253-272.
Highlights of the National Museum of Damascus. Media Minds LLC, [Lebanon], 2006.











